{"id":1267,"date":"2024-06-11T17:30:00","date_gmt":"2024-06-11T17:30:00","guid":{"rendered":"http:\/\/atomic-hair.net\/?p=1267"},"modified":"2024-06-13T15:26:34","modified_gmt":"2024-06-13T15:26:34","slug":"celebrating-excellence-and-innovation-announcing-the-winners-of-the-2024-print-awards","status":"publish","type":"post","link":"http:\/\/atomic-hair.net\/index.php\/2024\/06\/11\/celebrating-excellence-and-innovation-announcing-the-winners-of-the-2024-print-awards\/","title":{"rendered":"Celebrating Excellence and Innovation: Announcing the Winners of the 2024 PRINT Awards"},"content":{"rendered":"

For forty years, the PRINT Awards have taken the pulse of the design industry. A global competition since 2020, the winning entries in the 2024 PRINT Awards reflect\u2014and celebrate\u2014a range of visual design trends, such as a blend of technological advancements, creative explorations in type, texture, and color, and user-centric approaches in both print and digital\u2014an exciting year for us all!<\/p>\n

New categories in this year\u2019s awards program acknowledge the dynamic nature of design and the myriad ways designers integrate with their clients, the brands they represent, and their customers\u2019 experiences. We separated Brand Identities<\/strong> from Brand Campaigns<\/strong>. Packaging Design<\/strong> took a leading role. Our Brand Collaborations<\/strong> category considered campaigns that join brands with other brands, artists, and organizations to expand access to diverse audiences, push industry boundaries, and address social issues.<\/p>\n

The award-winning work embodied aesthetic trends such as mixing various weights and fonts.<\/p>\n

\n
\n
\n
\n
\n
\"\"<\/figure>\n<\/div>\n
\n
\"\"<\/figure>\n<\/div>\n
\n
\"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

Left to Right: Hey Barista Magazine | Oatly; Nuit Blanche Tapei | Left Brain; Upside | Erica Holman Design<\/em><\/p>\n

In Packaging Design<\/strong> and Illustration and Posters<\/strong>, our jury tagged a trend towards 70s nostalgia and vintage minimalism.<\/p>\n

\n
\n
\n
\n
\n
\"\"<\/figure>\n<\/div>\n
\n
\"\"<\/figure>\n<\/div>\n
\n
\"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

Left to Right: Golden Hour | Golden Hour Wellness; Joystick Jazz | HandMade Monsters; Minnesota Twins History Poster | DLR Group<\/em><\/p>\n

Type Design<\/strong>\u2014always a resource for cutting-edge creativity\u2014included work ranging from bubble type combined with texture to a dynamic font creation process using AI and machine learning techniques.<\/p>\n

\n
\n
\n
\n
\n
\"\"<\/figure>\n<\/div>\n
\n
\"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

Left to Right: Life Less Scary | Dunn&Co; Handy Type | Rozi Zhu<\/em><\/p>\n

The Data Visualization<\/strong> and Motion Design<\/strong> categories also included exciting examples of retro and progressive creativity. Entries included engaging stop-motion graphics and innovative and visually appealing data visualizations and infographics. Honoring both old and new, entries in these categories found ways to present complex data and concepts in easily digestible and truly beautiful formats. Entries in IX\/UX Design<\/strong> also made a breadth of information accessible using multi-sensory prompts such as music and street sounds. Printed work, too, tapped into user experience, highlighting the importance of haptics and form to create memorable brand engagements.<\/p>\n

\n
\n
\n
\n
\n
\"\"<\/figure>\n<\/div>\n
\n
\"\"<\/figure>\n
\"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

Clockwise: City Pulse 2023 | Gensler Research Institute; Origins | The Office of Ordinary Things for D&K Printing; Sappi Holiday Kit | VSA Partners for Sappi North America<\/em><\/p>\n

We hope you\u2019re as excited as we are with this year\u2019s family of PRINT Awards winners! Below, you can see the winning designers\u2019 names, project descriptions, and imagery of their work from the Monadnock Award<\/strong>, Citizen Design<\/strong>, Professional Best of Show<\/strong>, Student Best of Show<\/strong>, Editors\u2019 Choice<\/strong>, and Agency of the Year<\/strong>.<\/p>\n

Over the next few days, we\u2019ll share project descriptions in every category so you can enjoy the full range of creativity, innovation, and joy of this year\u2019s awards.<\/p>\n

\n

Monadnock Award<\/strong><\/h2>\n

Recipes for Impact<\/strong>
Mark Kaminski, Alina Kosmala \u2013 Compass Group<\/a>
USA<\/p>\n

\u201cRecipes for Impact,\u201d is a collaborative project between BLK & BOLD and Canteen, designed by Mark Kaminski at Compass Group. This exceptional book not only showcases artistic and functional excellence in design but also demonstrates profound community impact.<\/p>\n

\n
\n
\n
\n
\n
\"\"<\/figure>\n<\/div>\n
\n
\"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

\u201cRecipes for Impact\u201d is more than just a coffee and tea recipe book; it is a testament to the power of thoughtful, community-focused brand initiatives. Crafted with Monadnock\u2019s premium, sustainable paper, each page of this book reflects a shared commitment to environmental responsibility. BLK & BOLD\u2019s initiative, \u20185% For Our Youth,\u2019 which directs proceeds to support children in need, aligns seamlessly with Monadnock\u2019s ethos of making a positive impact through every aspect of their work.<\/p>\n

The design team, led by the talented Mark Kaminski and Alina Kosmala, utilized Monadnock\u2019s Astrolite paper to bring their vibrant, barista-tested recipes to life. This choice not only enhanced the visual appeal but also ensured that every aspect of this project was executed with environmental integrity.<\/p>\n

Additional credits:
Alina Kosmala; Printer, Walsworth<\/em><\/p>\n

<\/div>\n

Citizen Design<\/strong> Award<\/h2>\n

Read Queer Books<\/strong>
Leila Taylor- Brooklyn Public Library<\/a>
USA<\/p>\n

\n
\"\"<\/figure>\n
\"\"<\/figure>\n
\"\"<\/figure>\n<\/figure>\n

During Pride, Brooklyn Public Library celebrated the history of LGBTQIA+ communities, reflecting back at the progress that\u2019s been made and looking forward to the future. This year, as a response to the increasing violence, oppression, and discriminatory legislation targeting queer communities, Brooklyn Public Library commissioned a unique piece of art that evoked liberation, resistance, and rebellion. As books centering queer characters and experiences have been regularly targeted in book banning campaigns, the design team focused their messaging on reading, urging people to challenge the erasure and suppression of LGBTQIA+ voices and to Read Queer Books.<\/p>\n

Additional credits:
Illustration, Isip Xin; Copywriter, Lauren Rochford; Production Manager, Jack Cavicchi; Senior Digital Marketing Manager, Jenn Proffitt<\/em><\/p>\n

<\/div>\n

Professional Best of Show<\/strong> Award<\/h2>\n

BYMAKBAS Seasonal Stationery<\/strong>
MAKBAS<\/a> Print Studio
Kuwait<\/p>\n

\u201cThe Ramadan Series\u201d is a special collection designed to celebrate the Ramadan season, which is marked by fasting, worship, and community gatherings. The series includes:<\/p>\n

\u201cRamadan Sparkle\u201d Cards: Hot foil stamped cards to add a festive sparkle; \u201cRays of Ramadhan\u201d Cards: Blind embossed cards for making a bold statement; \u201cRamadhan Scene\u201d Cards: Modern architectural line art with neon screen printing, reminiscent of fluorescent lights guiding people home. <\/p>\n

\n
\n
\"\"<\/figure>\n<\/div>\n
\n
\"\"<\/figure>\n<\/div>\n
\n
\"\"<\/figure>\n<\/div>\n<\/div>\n

For a spiritual touch, the collection includes: \u201cWritten in the Stars\u201d Envelopes: Featuring matte gold and silver foil to depict a night scene of shooting stars; \u201cThe Hijri Set\u201d: Embossed patterns with gold foil, marking the Islamic calendar\u2019s start through migration.<\/p>\n

\n
\n
\n
\n
\n
\"\"<\/figure>\n<\/div>\n
\n
\"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

Additionally, the series encourages gratitude with: \u201cCOUNT YOUR BLESSINGS\u201d Journal: A compact gratitude journal inspired by the tradition of counting sheep to foster calm before sleep.<\/p>\n

Lastly, to embrace the season\u2019s tranquility: \u201cNo Pressure\u201d Notebooks: Five separate notebooks in one, promoting freedom and creativity without the pressure of to-do lists.<\/p>\n

\"\"<\/figure>\n

The collection concludes with: \u201cOver the moon\u201d Envelopes: Designed for Eid, these envelopes symbolize the joy of children receiving money, featuring night skies and city lights with fluorescent screen printing, extending the \u201cRamadhan Scene\u201d theme to Eid celebrations.<\/p>\n

\"\"<\/figure>\n
<\/div>\n

Student Best of Show<\/strong><\/h2>\n

Damaged Goods<\/strong>
Doyeon Kim \u2013 School of Visual Arts<\/a>
USA<\/p>\n

Damaged Goods is a contemporary newspaper about film photography. \u2018Damaged goods\u2019 are products that are broken, cracked, scratched, and no longer desirable. But in this newspaper, it\u2019s quite the opposite. In film photography, damaged and ruined film and its unexpected moments are aesthetic as they are. Every page in the newspaper is somehow damaged and exposed to light, however visually pleasing. The names of the journalists are also placed irregularly to convey the moments of unexpectedness that the film camera has. Doyeon focused on the art direction of this newspaper\u2013 photo selection, color and type choices, and even the photo direction.<\/p>\n

\"\"<\/figure>\n
<\/div>\n

Editors\u2019 Choice<\/strong><\/h2>\n

Studio Museum in Harlem | Website Redesign<\/strong>
Base Design<\/a>
USA<\/p>\n

\"\"<\/figure>\n

Founded in 1968, the Studio Museum in Harlem is dedicated to artists of African descent, serving as a studio for emerging artists and a museum with a curated collection of underrepresented artists. Rooted in Harlem\u2019s cultural legacy, it is a hub for dynamic conversations and exchanges about art and society.<\/p>\n

As the museum prepared to move and adopt a more formal posture, it sought a website redesign to enhance accessibility and reflect its vibrant, communal spirit. BaseNYC was tasked with creating an engaging online platform that mirrors the museum\u2019s dynamic energy.<\/p>\n

Inspired by Harlem\u2019s brownstone stoops, the redesigned website emulates a dynamic meeting place filled with sounds and voices, reflecting the museum\u2019s lively atmosphere. The focus shifts from artworks to the artists, featuring video and audio clips as peripheral \u201cchatter\u201d to capture the animated essence of the Studio Museum.<\/p>\n

Additional credits:
Mirek Nisenbaum, Min Lew, Andrey Starkov, Harry Laverty, Ross Gendels, Marc Hill, Masha Basyrova, Vivian Valentin, Artem Lyustik, Sergei Khegai, Volha Trehubava, Jerry Johnston, Ji Park<\/em><\/p>\n

<\/div>\n

Agency of the Year<\/strong><\/h2>\n

John Kudos \u2013 KASA Collective<\/a><\/strong>
USA<\/p>\n

KASA Collective is an international design agency that creates interactive experiences for public, corporate, and cultural spaces.\u00a0Their multimedia installations use storytelling, design, and technology to engage audiences.\u00a0KASA Collective is a collaboration between two award-winning agencies, KUDOS Design Collaboratory and Conduit, who have worked together on complex projects for over 20 years.\u00a0The agencies have expertise in 2D, 3D, and 4D design.\u00a0<\/p>\n

\n
\n
\"\"<\/figure>\n<\/div>\n
\n
\"\"<\/figure>\n<\/div>\n<\/div>\n
\n
\n
\"\"<\/figure>\n<\/div>\n
\n
\"\"<\/figure>\n<\/div>\n<\/div>\n

This year, KASA Collective won first place honors in Environmental Design for Black Power to Black People Exhibition and second place in that same category for the exhibition Made in Japan. John Kudos, through KUDOS Design Collaboratory also took home second place in Self-Promotions for his beautiful 2024 ONE LOVE Calendar.<\/p>\n

Additional credits:
Art Director, Ashley Wu; Designer, Fay Qiu; Project Manager, Amanda Knott; 3D Renderer, Imam Fadillah; Design Intern, Saskia Wulandiarti; Photography, Samuel Sachs Morgan<\/em><\/p>\n

\n

Professional Honorees<\/strong><\/h2>\n

Advertising<\/strong><\/h4>\n

First Place\u2014<\/a>Georgetown Optician \u2013 Adventures in A-Eye | Pum Lefebure | Design Army<\/a>
Second Place\u2014BMW Motorrad \u2013 Storied: 100 years of BMW Motorcycling | Justin Page | The Simple Machine<\/a><\/p>\n

Annual Reports<\/strong><\/h4>\n

First Place\u2014SPH This Year 2023 | Susan Prentiss | Boston University, Creative Services<\/a>
Second Place\u2014Smithsonian Annual Report 2022 | Jason Mannix | Polygraph<\/a>
Third Place\u2014The Future is Nuclear, Bruce Power Annual Review and Energy Report | Erin Grandmaison | Bruce Power<\/a><\/p>\n

Books\u2014Covers\/Jackets\u00a0<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/h4>\n

First Place\u2014Opinions | Robin Bilardello | Harper<\/a>
Second Place\u2014Evil Eye | Milan Bozic | Harper<\/a>
Third Place\u2014Feminist Designer: On the Personal and the Political in Design | Alison Place | University of Arkansas<\/a><\/p>\n

Books\u2014Entire Package<\/strong><\/h4>\n

First Place\u2014Milton Glaser, POP | Mirko Ilic | Mirko Ilic Corp.<\/a>
Second Place\u2014Type Something For Me | Joyce Shi | G Axis Press<\/a>
Third Place\u2014Alucina\u00e7\u00e3o | Felipe Goes | Felipe Goes Designer<\/a><\/p>\n

Branding\u2014Campaigns<\/strong><\/h4>\n

First Place\u2014SXSW 2024: Global Reframing | Luigi Maldonado | Guerilla Suit<\/a>
Second Place\u2014East Side Pies | Michael Tabie | Guerilla Suit<\/a>
Third Place\u2014Central Market Passport Portugal | Dana Nixon | *TraceElement<\/a><\/p>\n

Branding\u2014Collaborations<\/strong><\/h4>\n

First Place\u20142023 Nuit Blanche Taipei \u2013 Time to Rise Up | Shih-Yu Cheng | Left Brain<\/a>
Second Place\u20142023 Romantic Route 3 \u2013 Falabidbog | Shih-Yu Cheng | Left Brain<\/a>
Third Place\u2014Confronting Design | One Design Company<\/a><\/p>\n

Branding\u2014Identities & Identity Systems<\/strong><\/h4>\n

First Place\u2014The National Museum in Krakow | Emilka Boja\u0144czyk & Zuzanna Charkiewicz | Podpunkt Studio<\/a>
Second Place\u2014Portuguese Government | Studio Eduardo Aires<\/a>
Third Place\u2014GUILD | COLLINS<\/a><\/p>\n

Brochures & Catalogs<\/strong><\/h4>\n

First Place\u2014Naked Trails | Kyle Poff | Leo Burnett Chicago<\/a>
Second Place\u2014MCA NOW | Museum of Contemporary Art Chicago Creative Studio<\/a>
Third Place\u2014l.a.Eyeworks Booklet | Becca Lofchie Studio<\/a><\/p>\n

Citizen Design Award<\/strong><\/h4>\n

First Place\u2014Read Queer Books | Leila Taylor | Brooklyn Public Library<\/a>
Second Place\u20142023 Manatee Pride Festival \u2013 Joining Together to Celebrate Our Community | Craig Byers | Studio Craig Byers<\/a>
Third Place\u2014The \u201cQ Deck\u201d- LGBTQ+ Educational Cards | Kelly Holohan | Holohan Design<\/a><\/p>\n

Concept Work<\/strong><\/h4>\n

First Place\u2014Orb Time Font (OTF) | Raven Mo\u00a0<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
Second Place\u2014Hand copying meditation | Miki Kawamura<\/a>\u00a0
Third Place\u2014Afar: Cultural Cards | Andy Vera Design<\/a><\/p>\n

Data Visualization & Information Design<\/strong><\/h4>\n

First Place\u2014City Pulse 2023: The Future of Central Business Districts | Minjung Lee | Gensler Research Institute<\/a>
Second Place\u2014203 X Infographics | Sung Hwan Jang | Infographics Lab 203<\/a>
Third Place\u2014Global Workplace Survey Comparison 2023 | Minjung Lee | Gensler Research Institute<\/a><\/p>\n

Design for Social Impact<\/strong><\/h4>\n

First Place\u2014Foundry Field | Clinton Carlson Design | University of Notre Dame<\/a>
Second Place\u2014One Small Step, Integrated Campaign | I\/D.W Studio<\/a>
Third Place\u2014Curt Bloch and his Onderwater-Cabaret | Thilo von Debschitz | Q<\/a><\/p>\n

Editorial<\/strong><\/h4>\n

First Place\u2014The North Face \u2013 50 Years of Parkas Zine | Justin Colt | The Collected Works<\/a>
Second Place\u2014Hey Barista magazine | Chloe Scheffe & Natalie Shields | Oatly<\/a>
Third Place\u2014HUE, The Magazine of FIT, The Fashion Institute of Technology: Fall 2023 | Alexander Isley | Alexander Isley Inc.<\/a><\/p>\n

Environmental Design<\/strong><\/h4>\n

First Place\u2014Black Power to Black People Exhibition | John Kudos | KASA Collective<\/a>
Second Place\u2014Made in Japan Exhibition | John Kudos | KASA Collective<\/a>
Third Place\u2014Art Deco: Commercializing the Avant-Garde | Ola Baldych | Poster House<\/a><\/p>\n

Handlettering & Type Design<\/strong><\/h4>\n

First Place\u2014Handy Type | Rozi Zhu<\/a>\u00a0\u00a0\u00a0
Second Place\u2014Life Less Scary \u2013 Alphabet | Mitchell Goodrich | Dunn&Co.<\/a>
Third Place\u2014The Typography of a Genius Industry | Gaetano Grizzanti | Univisual<\/a><\/p>\n

Illustration<\/strong><\/h4>\n

First Place\u2014Metropolitan Transportation Authority Courtesy Campaign | Ricky Sethiadi | MTA Marketing<\/a>
Second Place\u2014Joystick Jazz | Mark Borgions | HandMade Monsters<\/a>
Third Place\u2014Simple Mills Illustrations | Ellie Schwartz | Design B&B<\/a><\/p>\n

In-House<\/strong><\/h4>\n

First Place\u2014BYMAKBAS Seasonal Stationery | MAKBAS Print Studio<\/a>
Second Place\u2014Lunatix NFT Collection | Ben Morris Sketch | Unilever<\/a>
Third Place\u2014Cannes 2023 | Luisa Baeta | Axios<\/a><\/p>\n

Invitations & Announcements<\/strong><\/h4>\n

First Place\u2014Marwen Invitations | Brian Berk | Leo Burnett Chicago<\/a>
Second Place\u2014Monroe Community College Foundation Gold Star Gala Invitations | Jewel Mastrodonato | Dixon Schwabl + Company<\/a>
Third Place\u2014American Heart Association Gala Invitation Suite | Hana Snell | Caliber Creative<\/a><\/p>\n

IX\/UX Design<\/strong><\/h4>\n

First Place\u2014Studio Museum in Harlem Website Redesign | Base Design<\/a>
Second Place\u2014theo Transformation Advisory Website | Hana Snell | Caliber Creative<\/a>
Third Place\u2014Fearless Website | Rony Dixon | Texas Tech University<\/a><\/p>\n

Logos<\/strong><\/h4>\n

First Place\u2014Turks Head | CF Napa Brand Design<\/a>
Second Place\u2014Benny\u2019s Bike Shop | Sam Allan | Onfire. Design<\/a>
Third Place\u2014Kinetic Identity | One Design Company<\/a><\/p>\n

Motion Graphics & Video<\/strong><\/h4>\n

First Place\u2014Sant\u00e9: Designed by Patrick Norguet | Molly Skonieczny | Tolleson<\/a>
Second Place\u2014Doris Duke Foundation: When Artists Thrive, We All Thrive | Bryce Bizer | None Other<\/a>
Third Place\u2014Dieline Awards 2024 | Justin Colt | The Collected Works<\/a><\/p>\n

Outdoor & Billboards<\/strong><\/h4>\n

First Place\u2014Life Less Scary | Stephanie Morrison | Dunn&Co.<\/a>
Second Place\u2014I Am Toronto Pearson | Joshua Duchesne | Made by Emblem<\/a>
Third Place\u2014Dream Streetcar | Matt Wegerer | Whiskey Design<\/a><\/p>\n

Packaging<\/strong><\/h4>\n

First Place\u2014Lou Reed \/ Words & Music \/ May 1965 \u2013 Special Edition | Masaki Koike | Phyx Design<\/a>
Second Place\u2014Golden Hour | Miles McKirdy | Golden Hour Wellness<\/a>
Third Place\u2014The Grappler | CF Napa Brand Design<\/a><\/p>\n

Photography<\/strong><\/h4>\n

First Place\u2014HP OMEN \u2013 Choose Fun | Ethan Scott | Designory<\/a><\/p>\n

Posters<\/strong><\/h4>\n

First Place\u2014Upside | Erica Holeman | Erica Holeman Design<\/a>
Second Place\u2014Minnesota Twins History Poster | Jovaney Hollingsworth | DLR Group<\/a>
Third Place\u2014Negro Leagues Baseball Museum (Kansas City Monarchs) | Jovaney Hollingsworth | DLR Group<\/a><\/p>\n

Self-Promotions<\/strong><\/h4>\n

First Place\u2014Origins | The Office of Ordinary Things<\/a> for D&K Printing<\/a>
Second Place\u20142024 ONE LOVE Calendar | John Kudos | KUDOS Design Collaboratory<\/a>
Third Place\u20142023 Sappi Holiday Kit | VSA Partners<\/a> for Sappi North America<\/a><\/p>\n

\n

Student Honorees<\/strong><\/h2>\n

Advertising<\/strong><\/h4>\n

First Place\u2014Literary Mixtape | NaRe Hong<\/a> | School of Visual Arts
Second Place\u2014Stuf by Oreo | Elyza Nachimson<\/a> | School of Visual Arts
Third Place\u2014Verizon | Hongjin Li<\/a> | School of Visual Arts<\/p>\n

Annual Reports<\/strong><\/h4>\n

First Place\u2014Victims First Annual Report | Aurora Schaefer<\/a> | University of North Texas<\/p>\n

Books\u2014Covers\/Jackets<\/strong><\/h4>\n

First Place\u2014Zubaan | Ariana Gupta<\/a> | School of Visual Arts
Second Place\u2014Speaking in Tongues | Yoon Seo Kim<\/a> | School of Visual Arts
Third Place\u2014Artist Book | Jiawen Zhang<\/a> | School of Visual Arts<\/p>\n

Books\u2014Entire Package<\/strong><\/h4>\n

First Place\u2014Bento of Memories | Shiyao Wu
Second Place\u2014Dos Palmares | Ma\u03af\u00adra dos Palmares Santana
Third Place\u2014Six-Legged Book | Seo Jin Lee | School of Visual Arts<\/p>\n

Branding\u2014Identities & Identity Systems<\/strong><\/h4>\n

First Place\u2014Museum of the Moving Image | Mina Son<\/a> | School of Visual Arts
Second Place\u2014POT.ION | Mina Son<\/a> | School of Visual Arts
Third Place\u2014Found Sound Music Festival | Don Park<\/a> | School of Visual Arts<\/p>\n

Brochures & Catalogs<\/strong><\/h4>\n

First Place\u2014FORM | Fiona Tran<\/a> | Drexel University<\/p>\n

Citizen Design Award<\/strong>\u00a0<\/h4>\n

First Place\u2014Lampi\u00e3o da Esquina | Pedro Melo | Federal University of Rio De Janeiro<\/p>\n

Data Visualization & Information Design<\/strong><\/h4>\n

First Place\u2014Street Gum Dots Marching Symphony | Jae Young Kim<\/a> | Pratt Institute
Second Place\u2014Fashion, Beauty and Post-Colonial Perceptions | Joumana Ibrahim | Savannah College of Art and Design
Third Place\u2014Me, My Languages, and I | Joumana Ibrahim<\/a> | Savannah College of Art and Design<\/p>\n

Design for Social Impact<\/strong><\/h4>\n

First Place\u2014Elephant in the room | Eason Yang<\/a>
Second Place\u2014Phantom Limbs: Design Interventions and Site-specific Storytelling | Veronica Tsai<\/a> | Art Center College of Design
Third Place\u2014Ace Week | Nicole Tocco<\/a> | Savannah College of Art and Design<\/p>\n

Editorial<\/strong><\/h4>\n

First Place\u2014Damaged Goods | Doyeon Kim<\/a> | School of Visual Arts
Second Place\u2014Experiments in Type Zine | Yerin Lee | School of Visual Arts
Third Place\u2014Gestalt Tattoo | Jung Youn Kim<\/p>\n

Environmental Design<\/strong><\/h4>\n

First Place\u2014Bike Lane Parking Preventer | Yoon Seo Kim<\/a> | School of Visual Arts
Second Place\u2014Elephant in the room | Eason Yang\u00a0<\/a>\u00a0
Third Place\u2014Fidelis: A Study in Fraktur Calligraphy | Conner Gayda<\/a> | Jacksonville State University<\/p>\n

Handlettering & Type Design<\/strong><\/h4>\n

First Place\u2014Up In The Air Gonggi Typography | Jae Young Kim<\/a> | Pratt Institute
Second Place\u2014Amunet Type | Xinyu Liu | School of Visual Arts
Third Place\u2014Bird Words| Jada Merritt<\/a> | California Institute of the Arts<\/p>\n

Illustration<\/strong><\/h4>\n

First Place\u2014Stilts, Bears & Skeletons | Heike Scharrer<\/a> | Cambridge School of Arts
Second Place\u2014Xiaoyun Tian | Xiaoyun Tian | Cambridge School of Arts
Third Place\u2014Gulf Horizons Illustrations | Jazmine Garcia<\/a> | University of North Texas<\/p>\n

IX\/UX Design<\/strong><\/h4>\n

First Place\u2014Deafinite | Jingxin Xu | School of Visual Arts
Second Place\u2014Sproute App Prototype | Zach Hall<\/a> | University of North Texas
Third Place\u2014Trash Panda App Prototype | Macy McClish<\/a> | University of North Texas<\/p>\n

Logos<\/strong><\/h4>\n

First Place\u2014Architectural Digest | Mishen Liu<\/a> | Art Center College of Design
Second Place\u2014Tiger Ale | Emily Brown | The University of Texas Arlington<\/p>\n

Motion Graphics & Video<\/strong><\/h4>\n

First Place\u2014Mirage | Jeffrey Xiyang Su<\/a>, Hanson Ma<\/a>, Michael Wang<\/a> | Art Center College of Design
Second Place\u2014Happy Little Birthday | Juni Kweon<\/a> | Art Center College of Design
Third Place\u2014Rapp Snitch Knishes | Audrey Whang<\/a> | School of Visual Arts<\/p>\n

Outdoor & Billboards<\/strong><\/h4>\n

First Place\u2014Spy | Ting Jui Chang | School of Visual Arts
Second Place\u2014Go Skateboarding Day | Hyowon Kwon<\/a> | School of Visual Arts
Third Place\u2014Elevating Everyday Sounds | Chuanyuan Lin<\/a> | School of Visual Arts<\/p>\n

Packaging<\/strong><\/h4>\n

First Place\u2014Horsepower Cold Brew Coffee | Vasavi Bubn<\/a>a | School of Visual Arts
Second Place\u2014Dark Energy | Eshaan Sojatia<\/a> | Rochester Institute of Technology
Third Place\u2014Never Will | Rabiya Gupta<\/a> | School of Visual Arts<\/p>\n

Photography<\/strong><\/h4>\n

First Place\u2014The Dream | Emily Brown | University of Texas at Arlington<\/p>\n

Posters<\/strong><\/h4>\n

First Place\u2014Alzheimer\u2019s Poster | Emily Brown | University of Texas at Arlington
Second Place\u2014Barely Hanging On | Sean Howes | University of North Texas
Third Place\u2014Synesthesia | Jia Li<\/a> | School of Visual Arts<\/p>\n

\n

NEXT: We spotlight winners in Advertising, Branding Campaigns, Collaboration and Identities, Editorial, In-House, Photography, and Self-Promotions.<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

For forty years, the PRINT Awards have taken the pulse of the design industry. A global competition since 2020, the winning entries in the 2024 … <\/p>\n","protected":false},"author":1,"featured_media":1269,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[],"class_list":["post-1267","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-color-design","latest_post"],"_links":{"self":[{"href":"http:\/\/atomic-hair.net\/index.php\/wp-json\/wp\/v2\/posts\/1267"}],"collection":[{"href":"http:\/\/atomic-hair.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/atomic-hair.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/atomic-hair.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/atomic-hair.net\/index.php\/wp-json\/wp\/v2\/comments?post=1267"}],"version-history":[{"count":3,"href":"http:\/\/atomic-hair.net\/index.php\/wp-json\/wp\/v2\/posts\/1267\/revisions"}],"predecessor-version":[{"id":1299,"href":"http:\/\/atomic-hair.net\/index.php\/wp-json\/wp\/v2\/posts\/1267\/revisions\/1299"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/atomic-hair.net\/index.php\/wp-json\/wp\/v2\/media\/1269"}],"wp:attachment":[{"href":"http:\/\/atomic-hair.net\/index.php\/wp-json\/wp\/v2\/media?parent=1267"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/atomic-hair.net\/index.php\/wp-json\/wp\/v2\/categories?post=1267"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/atomic-hair.net\/index.php\/wp-json\/wp\/v2\/tags?post=1267"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}